Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Saturday, June 6, 2009

Retro Review: Labyrinth, the movie

Give me the child. Through dangers untold and hardships unnumbered, I have fought my way here to the castle beyond the goblin city, to take back the child you have stolen. For my will is as strong as yours, and my kingdom as great...

Girls and boys, hands up who believes that David Bowie in Labyrinth was responsible for their sexual awakening? I see many hands! And hands up all those who thought Toby would have been so-oo better off as a goblin and Sarah as Goblin Queen? And hands up who thinks Sarah is a whiny bi-atch and needs a good slap? And who *shudder* saw that final scene in Requiem for a Dream and screamed "Sarah, Sarah, what have you done???!!"


I first saw Labyrinth as a seven-year-old while studying Greek myth at school. I think the teacher thought it might be a PG way to introduce us to the minotaur myth (as it doesn't have all the, you know, rape) but really, the similarities between the two stories are tentative to say the least. And may I just say there's very little that's PG about Jareth's leggings ...

When I was in high-school Channel Two re-ran Labyrinth and my friends and I fell in love all over again. There was a great deal of quoting in the playground that week! "Sarah frieeeeend" "It's not fair" "Get through the Labyrinth? She'll never get through the Labyrinth!" "Fear me, love me, do as I say and I will be your slave". Oh, swoon.

Labyrinth is one of those magnificent productions: it's just weird enough, just scary enough, just beautiful and erotic enough. Despite Bowie's big 80s hair and Sarah's leg-of-lamb sleeves (above), it's sort of timeless, too. And utterly, utterly romantic.

It's also one of the oddest love stories I know. I'm not even sure it is a love story. Despite all the "romance" it's more a coming-of-age tale. Sarah lives in a child's world of toys and imagination and irresponsibility, of which Jareth is the personification. There's more than a few Alice in Wonderland references--the drugs, the manipulation of space and time, the odd creatures that follow their own bizarre logic. In fact, I'm not at all sure it isn't a modern retelling of the classic, with Jareth as the Queen of Hearts and the Cheshire cat rolled into one. With some snappy, snappy dance moves!

I did hear recently that there was supposed to be a kiss between Jareth and Sarah (in the ballroom scene, I'm guessing, just before the poisoned peach starts making her spin out--best scene hands-downs. That dress. That serenade) but they cut it out because Jennifer Connolly was too young. Too bad for her!

How you've turned my world you precious thing
You starve and near exhaust me
Everything I've done I've done for you
I move the stars for no-one
You've run so long you've run so far
Your eyes can be so cruel
Just as I can be so cruel
Oh I do believe in you
Yes I do
Live without the sunlight
Love without your heartbeat
I, I can't live within you

Tuesday, May 5, 2009

Girl and the sea

In interviews I've seen lots of authors name the albums or artists they listen to as they write or even put together a play list of songs that "go" with their book. Now, the first part makes my mind boggle--listening to music while writing? Don't all the lyrics get in the way? Even if the music was instrumental it would probably still bug me! I prefer the sounds of silence. (Literally, not the Simon & Garfunkle ditty.)

I wouldn't go so far as putting a play list together, either, but I did notice one morning, while singing "Girl and the Sea" by The Presets in the shower, that the first three lines did freakishly mirror my main character: Tonight the hills are watching her, as she runs towards the sea, she runs so she'll be free. The rest of the song, no. But those three lines, totally! There are hills and seas and running aplenty in Lharmell, but you'll just have to wait till/if it's published to see what I mean!

I did think about having the lyrics as a sort of epitaph to the first chapter, but quickly decided it was naff and anachronistic. I saw my beloved Bowie quoted in much the same way and the book instantly got negative ten points and a big YOU DON'T GET TO from me.

So if I did do a play list, "Girl and the Sea" would be on it. And so would "Raised by Wolves" by Midnight Juggernauts. Just because it's dark and sexy. And we all need a little bit of that sometimes.