Showing posts with label Labyrinth. Show all posts
Showing posts with label Labyrinth. Show all posts

Thursday, March 24, 2011

REVIEW: Return to Labyrinth 4, Jake T. Forbes

The final installment of the Return to Labyrinth manga! Will it send hearts aflutter or cause a million fangirls to weep tears of despair? Will the labyrinth itself survive? WILL JARETH AND SARAH FINALLY KISS?! And ye gods, would they, COULD they, be together?

It has been the keenest source of pain for many a fangirl (including me) that Sarah defeats the Goblin King and happily trots home (ew) with her baby (double ew) brother at the end of Labyrinth. Was this the film that launched a billion fan-fics? You bet. And were most of them about Sarah returning to the labyrinth, or Jareth following her into the real world as that tantalising closing scene of Jareth in his owl form looking in her window suggests? Absolutely. I was an avid reader, and yes, writer, of such stories. (Not all of them had Sarah. There were a few Mary-Sues as well, as you might guess. All had Jareth though.) I can't remember when I discovered the Return to Labyrinth series. The second volume had already been released, but not the third. I remember rejoicing for here was the OFFICIAL version of events post-film, sanctioned by the people who own copyright. Something about it being "official" made me incredibly excited.

**wee spoiler for volume three follows**

My hopes for a happily-ever-after died with the revelation in volume three of just what an ablation is and what it did to Sarah. It was a selfish, one might say evil, thing for Jareth to have done. But he's the Goblin King. He can be cruel, as he so readily tells us. It felt like something Jareth would do. But of course, the bad guy never gets the girl. But he might still be redeemed and restored to his rightful place. And there still might be that kiss...

**end wee spoiler**

This character consistency is what endears me to the series the most. The drawings might look a little funny here and there and some of the puns are killer. But Jake T. Forbes has done a wonderful job of capturing the quirks and silliness of Labyrinth. The darkness and fear. The sense of adventure. There are plenty of original characters present but Forbes hasn't been afraid to expand on both the characters and the world.

There has been a lot of criticism of this series--as Forbes must have known there would be going into the project. It's a film that is dear to so many people and he's dared to mess with it. The criticism is unfortunate though, because the series feels so much like Labyrinth. And I'm thrilled to have been able to spend a little more time in that world.

A little something else to be excited about: At the end of volume four is an ad that promises EVEN MOAR Labyrinth coming "Fall 2010". Hmmm. Or not. But the interwebs assures me that it will happen. But more like fall 2011. So spring for us southerners!

Saturday, June 6, 2009

Retro Review: Labyrinth, the movie

Give me the child. Through dangers untold and hardships unnumbered, I have fought my way here to the castle beyond the goblin city, to take back the child you have stolen. For my will is as strong as yours, and my kingdom as great...

Girls and boys, hands up who believes that David Bowie in Labyrinth was responsible for their sexual awakening? I see many hands! And hands up all those who thought Toby would have been so-oo better off as a goblin and Sarah as Goblin Queen? And hands up who thinks Sarah is a whiny bi-atch and needs a good slap? And who *shudder* saw that final scene in Requiem for a Dream and screamed "Sarah, Sarah, what have you done???!!"


I first saw Labyrinth as a seven-year-old while studying Greek myth at school. I think the teacher thought it might be a PG way to introduce us to the minotaur myth (as it doesn't have all the, you know, rape) but really, the similarities between the two stories are tentative to say the least. And may I just say there's very little that's PG about Jareth's leggings ...

When I was in high-school Channel Two re-ran Labyrinth and my friends and I fell in love all over again. There was a great deal of quoting in the playground that week! "Sarah frieeeeend" "It's not fair" "Get through the Labyrinth? She'll never get through the Labyrinth!" "Fear me, love me, do as I say and I will be your slave". Oh, swoon.

Labyrinth is one of those magnificent productions: it's just weird enough, just scary enough, just beautiful and erotic enough. Despite Bowie's big 80s hair and Sarah's leg-of-lamb sleeves (above), it's sort of timeless, too. And utterly, utterly romantic.

It's also one of the oddest love stories I know. I'm not even sure it is a love story. Despite all the "romance" it's more a coming-of-age tale. Sarah lives in a child's world of toys and imagination and irresponsibility, of which Jareth is the personification. There's more than a few Alice in Wonderland references--the drugs, the manipulation of space and time, the odd creatures that follow their own bizarre logic. In fact, I'm not at all sure it isn't a modern retelling of the classic, with Jareth as the Queen of Hearts and the Cheshire cat rolled into one. With some snappy, snappy dance moves!

I did hear recently that there was supposed to be a kiss between Jareth and Sarah (in the ballroom scene, I'm guessing, just before the poisoned peach starts making her spin out--best scene hands-downs. That dress. That serenade) but they cut it out because Jennifer Connolly was too young. Too bad for her!

How you've turned my world you precious thing
You starve and near exhaust me
Everything I've done I've done for you
I move the stars for no-one
You've run so long you've run so far
Your eyes can be so cruel
Just as I can be so cruel
Oh I do believe in you
Yes I do
Live without the sunlight
Love without your heartbeat
I, I can't live within you