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Who remembers when Gemma Ward burst onto the fashion scene as a 16-year-old in 2004? Suddenly she was in every Vogue shoot and in every second ad in every glossy magazine, pouting out at you with her wide mouth and big baby blues. Ward is the very definition of a Scott Westerfeld pretty: she looks like an overgrown infant. As a species we're hard-wired to find babies lovable. And vulnerable. To want to protect them. And we react the same way to grown-ups who look like babies. But that's only part of it what it takes to be a Pretty. We're trained to react to symmetry, as well. Asymmetry often indicates genetic defects, and it's not to your evolutionary advantage to lust after someone who's going to pass on their defects to your offspring.
It's little wonder, then, that Tally Youngblood can't wait to be Pretty and see people's eyes melt when they gaze at her. It's also easy to see why a government would encourage people to aspire to little more than being beautiful and passive. Party people don't think much about overthrowings and revolutions, or murder and violence and theft. This I liked about Uglies. In this way it reminded me a lot of Brave New World.
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But I have a problem with the stakes. Part I sets up the world, the Pretties, the bored uglies who are just dying to be Pretty. Part II is the escape, and the resistance. Part III, logically, should be the smack-down. The consequences for defying the rule of law. The Specials wreaking their revenge. The punishment. But it never comes. And right from the beginning I could tell it was never going to come. Tally just gets away with far too much as an ugly, and is then released without even a smack on the wrist. The way in which she's released is laughable, with nothing more than a "You better come back, or we Specials will be mighty angry with you, young lady!" And later, the consequences of the rebels being captured are no worse than getting turned into a Vogue model with some instant anger management classes--both of which are completely reversible! I just didn't feel the fear. Compared to One Flew Over the Cuckoo's Nest, it's nothing. Compared to Nineteen Eighty-Four, it's nothing. Compared to A Clockwork Orange, it's nothing. And though Westerfeld has attempted to recreate it for a modern audience, compared to Brave New World, it's nothing. The consequences are nothing. So I couldn't engage with the story like I wanted to, because I just wasn't scared for Tally and Shay. And it's even more annoying because the superhuman Specials have the scope to be genuinely terrifying, but in the midst of a battle they come across as little more than parental with their now, nows and their "I don't want to hurt you, but I will if you give me no choice". Pfft.
The way I'm talking you're going to think I didn't like Uglies. On the whole I did. I was just horribly frustrated by it at the same time. The story rallies in a major way in the last dozen pages, and because of that I'm going to have to read Pretties to see what happens to Tally and Shay. But I'm not in any screaming hurry to do so.
Yeah, uglies was kinda bland compared to the hype. but i did like the first bit - i agree with the movie thing :)
ReplyDeleteI know what you mean, but despite those flaws, I adored Uglies. The premise is just so fascinating!
ReplyDeleteExtremely thought-provoking review there!
ReplyDeleteI actually love Uglies in itself, although I'm not majorly bothered about the other books in the sequence. I really didn't think about whether there was a problem with the stakes / consequences when I read this book. I think that's because I engaged more with the Tally / Shay / David relationships than any other aspect. I did invest in Tally and Shay's friendship especially (possibly because I initially thought *they* were going to get together), and I feel there were consequences for Tally there.
Having read your review though, I do feel that Uglies could have been much more powerful as a standalone novel, with an ending that didn't have to set up the sequel. Tally lobotomised and no longer caring about it, or seeing the same done to everyone she cares about because of her, and being unable to stop it and left alone... either of those would have carried more weight.
You're right, I definitely felt some of the power of the novel was sacrificed to make it into a series, which is a real shame. I wondered about Tally and Shay, too. Their dynamic is much stronger than the one between Tally and David. He's a bit of a Mary Sue, really, or whatever it is they call male characters in this case. Gary Stu, I think!
ReplyDeleteI felt a bit of what you described, but the books were just so addicting! I have to warn you though, that the next 'best' in the series (quality, tension, content-wise) is Extras, way at the end. Best!
ReplyDeleteI agree it was a bit bland. I was hoping for...something.
ReplyDeleteAlso, Gemma Ward is kind of scary looking.
have you read the other 2 books ? Pretties ratches up the conflict, and of course the conclusion Specials features the Smackdown, with its concomitant death and destruction !!! YOU GOTTA READ 'EM !!!
ReplyDeleteI really love the Uglies series,why stop on little details?! It's Just A Fabulous Novel =)
ReplyDeleteYou have to read the whole series in order to fall in love with it. I was hooked the first time I read Uglies. I love Tally, and there will be plenty of more action in specials that will get you scared for her.
ReplyDeleteOMG! Gemma Ward is totly a pretty! That surgery can be realy true, maybe? OMG!
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